I then began making an animatic, first roughly drawn on paper and then cleaned up digitally. I kept it simplistic aiming for a smooth transition between key poses within the audio. This in turn, allowed me begin working on my x-sheet with ease.



I then began making an animatic, first roughly drawn on paper and then cleaned up digitally. I kept it simplistic aiming for a smooth transition between key poses within the audio. This in turn, allowed me begin working on my x-sheet with ease.
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