I began comprehending colour theory, playing with my backgrounds, and trying to assess where I wanted the darkest areas to be found and what emotions I wanted to evoke through each tone. I found this exciting and fun because there were so many possibilities and choices. Through my animatic, I knew I wanted the background design to be an underground tube.
The large windows enabled me to reflect the underwater atmosphere, bringing in fish and a variety of plants. Going to aquariums helped me comprehend some of the scenery, and I took photographs to use as references. Once I had finished, it was time to begin animating.
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